If only all debut singles were as self-assured as The Sundays’ inaugural bow. In which The Dame reaffirmed his chameleonic superpowers and turned into a New Romantic just in time to make it look as if he was inventing New Romanticism (which of course he did, years earlier), even co-opting scenester Steve Strange to appear in the video. In 2009 it was named the 25th greatest hard rock song of all time by VH1. A sampling masterpiece from Bomb The Bass, aka producer Tim Simenon, who lays down an explosive foundation of bowel-slackening beats before weaving in random snippets of sound from, amongst others, Thunderbirds and The Good, The Bad And The Ugly over the top. Now that they’re the punchline to a million stadium-rock sized jokes, it’s easy to forget what made everyone first fall in love with U2 many moons ago – namely, big ol’ emotional rock ballads like this. Januar 1980 9 Wochen: 9 Thom Pace: Maybe Thom Pace – 21. A worthy first UK Number One for Messr Weller, ‘Going Underground’ will forever be one of The Jam’s finest cuts. It’s all drenched in strings, nostalgia and pathos as Moz starts filling up about greased tea and grey proms, spooning on the melodrama until we’re all remembering miserable holidays in the English rain. Written for the film Mannequin by Albert Hammond Jr’s dad (really!) A smash No.90 hit, ‘Made Of Stone’ nevertheless brought the Roses to wider attention, making some waves on the indie chart and encouraging the kids to check out the album that would become their all-time favourite. ‘It’s A Sin’ is a riot of thunderclaps, chanting monks and villainous synth riffs from Chris Lowe, but that’s only half the story. Throw in Dre’s frightening production and ‘Straight Outta Compton’ was a threat people took seriously. 1980 Songs Download- Listen to 1980 songs MP3 free online. But Arctic Monkeys didn’t namecheck ‘Rio’ in ‘I Bet You Look Good On The Dancefloor’ for naught – they knew that, despite the horrowshow haircuts, it’s still one of the sexiest and sunniest synthpop singles of the 80s. Punk survivor Cherry sounded effortlessly in control as she rapped about her crew (based on the very real Buffalo crew), making the listener feel totally part of her world. Hard to listen to now without getting something in your eye about Bill Murray and Scarlett Johansson in Lost In Translation, ‘Just Like Honey’ revealed there was more to the Reid brothers than devastating shards of noise battling against tinny drums and subterranean vocals. A brooding soul number that quaked with emotional turmoil, Cecil and Linda Womack’s biggest song was perhaps one of the saddest duets of all time, connecting a loss of rhythm with a loss of love. Years Unknown: 136 songs: 136; Till 1950: 1938 (23) 1940 (14) 1941 (24) 1948 (15) 1949 (10) Between the 1986 vaudeville funk of ‘Parade’ and the following year’s state of the cosmos address, Prince had ditched The Revolution – in name at least – and set about taking full credit for his new clear-eyed vision. We could talk about Axl’s screeching vocal, of course, but there’s only one real reason why ‘Sweet Child O’ Mine’ is beloved of so many air-guitar aficionados, and that’s Slash – both with the lurching arpeggios of his intro and the subsequent face-melting, wah-wah-wanking solo that’s amongst the best fretwork of all time. It’s a shimmer that remains even as Curtis grips the microphone with increasing intensity. Only Neil Tennant could wedge his tongue so far in his cheek to set a rousing defiance of his Catholic upbringing to hi-NRG opera. https://www.youtube.com/watch?v=AWtCittJyr0. Though New Order’s dancefloor fillers were far removed from Joy Division’s bleak nihilism, there was a no nonsense approach to both that united Bernard Sumner, Peter Hook and Stephen Morris’ two ventures in direct and uncompromising brilliance. Dressed in scratchy pre-grunge threads, ‘Freak Scene’ really lies somewhere along the wavy line between The Only Ones’ ‘Another Girl Another Planet’ and Pavement’s ‘Summer Babe’, slack as it wants to be but still cute as hell. If only every attempt to tackle strife in the Middle-East were as joyous as this. Perhaps its key trick was the slowing down/speeding up of the track mid song. From the squall of 1977’s ‘White Riot’ to this 1982 parting shot. The following artists achieved four or more number-one hits during the 1980s. The Clash didn’t always need anger to pen a canny political song. Edwyn Collins and co bagged their first, and last, Top 10 hit when ‘Rip It Up’ was released as a single – and it’s easy to see why. One of the earliest cuts from the Bjork-fronted Sugacubes – and appropriately weird and disturbing to boot. Listen free to Various Artists – 100 Hits of the '80s (Wake Me up Before You Go-Go, Girls Just Want to Have Fun and more). He’s talking gibberish, surely: the slow-burn beginning is fantastic, true, but the whole ruddy song – with its balmy organ waltz and irrepressible feel-good factor – is the sound of Talking Heads at their most wonderfully accessible. "Traditional" is defined as encompassing all pre-rock styles of popular music; Christmas songs include both religious and secular songs as well as songs about winter which are associated with the festive season. (This does not include the, This page was last edited on 18 January 2021, at 07:25. ‘Like A Prayer’ was her prude-offending Watergate, in which she scandalised the church by cavorting with a black Jesus and doused every scene in more religious imagery than the Vatican. Released one month before Ian Curtis’ death, NME‘s original review called the song a “tombstone”. Plucked from their colossal album ‘The Joshua Tree’, its combination of shimmering, sheeny production and Bono’s walloping vocals saw them rightfully claim their place in rock’s big leagues. Simon was in rare form on the title track on his pivotal 86 album. It would be Dead Or Alive’s only real hit, but the influence of the disco/pop hybrid would cast a shadow over the late 80s charts in the form of S/A/W’s work with Jason/Kylie/Rick Astley etc. Contemplating his life post- divorce from Carrie Fisher, the song meshed afro-pop with his wonderfully literate, singer/songwriter songwriting style and the results were typically unforgettable. As the cast of Grange Hill would prove later in the decade, it’s nigh-on impossible to sing an anti-drugs song without sounding like a bit of a berk. It’s not just furious thrashing, though – the lengthy instrumental breakdown, which kicks in halfway through, is evidence of four dudes at the top of their game. It shifted a million copies here to become 1982’s biggest selling single, then dosey doed over to America the next year to repeat the feat. HD movies & songs. https://www.youtube.com/watch?v=CMThz7eQ6K0. Ausstrahlung: 21. As it was, it didn’t matter that he was hitching a ride because the song was perfect – odd, self-referential and as pure pop as he’d never be again. Dekh Liya Tera Pyar by Zubaida Khanum | Silver Screen Gold Old Pakistani Film Songs . Hot R&B/Hip-Hop Songs is a chart published by Billboard that ranks the top-performing songs in the United States in African-American-oriented musical genres; the chart has undergone various name changes since its launch in 1942 to reflect the evolution of such genres.In 1980, it was published under the title Hot Soul Singles. It opened new vistas for the band, making them the stars they always knew they were. One could only imagine who the “human trampoline” was though. Unemployment, social unrest and racial tension powered ‘Ghost Town’, which caught the multi-cultural Specials at a politically febrile moment in time. Jim’s vocals are still bottoming out, but some classic ‘Be My Baby’ drums and a hook as clear as a bell open a new JAMC chapter. [sidebar id=”premium_inline_before_last_p”]. In March 2005, Q magazine placed it at number 31 in its list of the 100 Greatest Guitar Tracks, and in 2008 Rolling Stone Placed it number 18 on top 100 of Best Guitar Songs of All Time. For most bands, this song would be amongst the weirdest in their arsenal; it’s testament to The Fall’s bizarre brilliance that it’s one of their most straightforward. ‘Hallelujah’ is a mess in the fine tradition of ‘Bummed’, a dirty loping funk held together with sticking plasters and – in all probability – Shaun Ryder’s “junk”. You cheer him on all the more. Touching upon the breakdown of the relationship with her boyfriend/manager, ‘Time After Time’ was a change in tack for Lauper, whose musical persona had previously been unstoppably light and frothy. That told ’em. – but it’s hard to glean such subtleties when you’re being battered with a heavy metal sledgehammer. Das 1980 zusammen mit “Fast Eddie” Clarke und “Philthy Animal” Taylor eingespielte “Ace of Spades” ist das wohl bekannteste Beispiel für diese Herangehensweise und verbindet Glücksspiel-Metaphern mit ungestümer Musik, die Punk oder Speed Metal gefährlich nahe kommt. 1 Song (1958-2013)", https://en.wikipedia.org/w/index.php?title=List_of_Billboard_Hot_100_number-one_singles_of_the_1980s&oldid=1001103610, Lists of Billboard Hot 100 number-one songs, Creative Commons Attribution-ShareAlike License, When adding the weeks for all of Phil Collins' number-one singles during the 1980s, it comes out to 15. With ‘Three Feet High And Rising’, De La Soul’s pivotal rap album, the trio ushered in the Daisy Age- a touchy-feely era which contrasted with the harder, more gansta rap elements in the scene. https://www.youtube.com/watch?v=p8kjbjx2EUw. https://www.youtube.com/watch?v=YnxDRJzaXmc. As the theme song to pivotal 80s teen drama The Breakfast Club, it found its deeper meaning within the story lines of the disenfranchised youngsters in the flick. There were still good records to be made but this straddles the eras, anthemic but nasty with enough of a whiff of the underground to keep the early adopters on board. A song about the colonization of Native Americans in the New World could have been as dreary and sanctimonious as fuck, but Iron Maiden spit in the face of anyone who dare call them preachy. Play 1980 hit new songs and download 1980 MP3 songs and music album online on Gaana.com. The peak of AC/DC’s lithe, fat-free years. Mixing a punk sneer with rockabilly aggression, this track strutted into the mainstream, following the blast of ‘Rock The Casbah’ and managing to show what a diverse and eclectic bunch the quartet had grown into. Sitting pretty between ‘Everything’s Gone Green’ and ‘Blue Monday’ in New Order’s early 80s run of astonishing singles, ‘Temptation’ is about as close as they came to a pop song at that point – there was just too much groundbreaking sonic exploration to get caught up in. This is Phil talking, and he believes what the old man said. http://players.brightcove.net/19012535001/default_default/index.html?videoId=1490891848001. A great deal of today's music looks to the '80s for inspiration, but there are so many different ideas of what "'80s" as a descriptor can mean. A goth love song? Poised between staying or leaving both The Clash and girlfriend Ellen Foley, Mick Jones’s lyrics were appropriately propulsive. The switch works, as does the mesh of guitars, ringing and scratching, manic as Francis’s delivery. Lindsey Buckingham’s typically progressive production covered the song in a glossy 80s sheen, and would lead to another massive hit for the band from their monolithic ‘Tango In The Night’ album. Cameo had been around for donkey’s years, even occasionally sidling into the UK charts with the ultra-smooth funk of ‘She’s Strange’ and ‘Single Life’, but it took an enormous red codpiece and silly twang to make Larry Blackmon a true star. Penned by Christine McVie about new husband Eddie Quintela, it was McVie doing what she did best; a simple song about the joys of new love. Released as a standalone single following their gargantuan 1989 debut, ‘Fool’s Gold’ saw Ian Brown serve up some mystic baloney while the rest of the band did the heavy lifting – Mani leading the tune, John Squire going all Sly and the Family Stone with his wah-wah licks, and Reni giving a ‘Funky Drummer’ masterclass that rendered all other baggy redundant. Bizarrely, that “old man” was Lou Reed but that’s the only trace of the past on a supple and deceptively complex slice of synthpop. The following artists were featured in top of the chart for the highest total number of weeks during the 1980s. They create the fluid slink here that allows Jones to prowl around, generally intimidating everyone with dirty car-pun come-ons. Two of rock’s biggest behemoths joined forces as Bowie and Freddie Mercury belted out a big, show-off collaborative anthem. It would prove a natural fit for The xx ,who memorably covered the song years later. One’ and discovered the album only had an a cappella version of the track. Februar 1980 – 2. And, to top it all off, it ends with the sound of someone puking their guts out – always the sign of a killer party. © 2021 NME is a member of the media division of BandLab Technologies. A 4AD supergroup put together by head honcho Ivo Watts-Russell and featuring Cocteau Twins’ Robin Guthrie and Liz Fraser, This Mortal Coil took up residence in the indie charts for most of the decade with this spectral cover of Tim Buckley’s earthy ballad. But it was Rakim’s brilliantly humble rap that elevated this track into the realms of the truly legendary. “Here I go!” she shouts, unable to control herself, and you’re whipped up with lust alongside her. Step past Don Henley and cohorts’ opulent 80s AOR production and there’s a song with a message here. And so it was with ‘Pacific State’, a mixture of sexy saxaphone skronking and brain-burrowing bass so relentless it could worm its way into your noggin and stay there forever more. Februar 1980 2 Wochen (insgesamt 8) 8 Goombay Dance Band: Sun of Jamaica Wolff-Eckehardt Stein, Wolfgang Jass – 4. The drama of Almond’s delivery went perfectly with the chilly brooding synth lines Ball had crafted. He is one of two recording acts to achieve more than one year-end Billboard Hot 100 number-one single in the history of the chart, with the other being The Beatles, who also had two year-end number-ones. Quite a lot, but you get the idea. https://www.youtube.com/watch?v=WR8cvRgW3wk. A slinky, sexy R&B number that pissed a load of people off when they bought Soul II Soul’s debut LP ‘Club Classics Vol. Februar 1980 – 24. 100 tracks (422:53). Even with the inexplicable slip, it's hard to fault the contents of a disc featuring nothing but number one R&B hits. Their “Dark Side of the Moon” broke the longevity record … The guitarist rescued the tool from mid-70s Peter Frampton ignominy, to give us the “ooh-wa ooh-wah” sound that ate the world. It was a musical tour de force too, combining ska, lovers rock and more into a cyclone of musical genre splicing – another example of The Clash mixing it all up to create something brilliant and new. https://www.youtube.com/watch?v=_E1-VOMxS6w. A club anthem on a par with its natural predecessor, Donna Summer’s ‘I Feel Love’. 1980 S Songs free download - AVG AntiVirus Free, Spotify: Listen to new music, podcasts, and songs, Spybot - Search & Destroy for Windows XP, and many more programs The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. Let’s just forget that it was unforgivably plundered by Vanilla Ice at the turn of the 90s. Top Songs of the 1980's Planning a Party? Each volume in EMI Germany's extensive Best of 1980-1990 series features at least two discs worth of hits, providing a very broad, nondiscriminating representation of the period. The ageing Toxic Twins or those chaps in the laceless Adidas? Whatever the truth was, it gave them their first US Number One and successfully managed to reinvent Van Halen as a synth-using pop rock band who weren’t afraid of massive, massive hooks. Gangsta rap was still shocking, before we got all blasé about guns, hoes and all that juice, and NWA pulled no punches, with Ice Cube, Eazy-E and the rest giving it both barrels. Holly Johnson still wasn’t playing it safe, marrying lyrics about the Cold War to the foreboding march of a keyboard being bashed to within an inch of its life. Any list that attempts to summarize the year 1980 musically must include a celebratory though a sober nod to John Lennon, so cruelly taken away from us late that year. It strikes a note of regret, a sense this is the best it’s going to get, but – artistically at least – the truth was far from it. It’s become a tin-whistling, string-soaked standard that lost out on the festive No.1 to the mighty Pet Shop Boys but comes back for another crack year after year. Splutters into life with the wheezing strains of a dusty harmonica before exploding into a full-blown yarn of a dwindling country economy in which times are hard and work is scarce to find. Originally offered to a host of artists including Bryan Ferry, The Pretenders and Billy Idol, it fell to Simple Minds to take this track and turn it into Top 40 gold on both sides of the Atlantic. But look at that Jesus Christ pose on the sleeve, listen to the talk of “sacrifice” – there was more going on here, and a killer middle eight to boot. In 1980, Prince, Tom Petty, Air Supply and Christopher Cross made the top charts for the first time. Knitting together so many disconnected sounds could have sounded haphazard and slapdash; instead, it’s impressively seamless and skilful. Ah, the 80s. Whether you were donning your finest spandex and getting tiddly on Cinzano or putting on the leathers and devil-fingering to Guns’n’Roses, it’ll still go down as the most diverse, eclectic and extravagant decade in recent cultural history. Der Titel modifizierte sich über die Laufzeit der Show durch Anhängen des laufenden Kalenderjahres von disco 71 bis zu disco 82.Die Liste nimmt diese Gliederung auf. The world's defining voice in music and pop culture since 1952. Grace Jones’s fusion of funk and reggae, a perfect blend for the Island label, was smoothed considerably by rhythm section Sly Dunbar and Robbie Shakespeare, who slipped comfortably into the musical melting pot of the new wave scene. Alongside Depeche Mode, OMD helped fly the flag for forward-looking British electro pop in the 80s. List of Songs having Songfacts entries and released in 1980. Pink Floyd – Comfortably Numb. The top 100 1980 lists the 100 most popular hits in the UK singles music charts in 1980. Of course, like all the best songs created from samples, it stood alone as a brilliant disco-dance number. This surreal mix – Colourbox and AR Kane, Dave Dorrell and CJ Mackintosh – produced a record that was clever enough to woo the purists, pop enough to top the singles charts and cheeky enough to get torpedoed by a writ from Stock Aitken Waterman. Alongside Moz, Johnny Marr invents the indie jangle and drops metal knives on his Telecaster. 2 Roger Waters – 25. A shiny bauble of pure pop goodness from the fab four. Faith No More’s blend of shuddering riffs and funk/pop tunefulness mixed playful absurdity with a knowing sense of drama. We had New Order and Frankie Goes To Hollywood, U2, Prince and Cyndi Lauper, Springsteen, INXS, Bananarama, Duran Duran and the list goes on. https://www.youtube.com/watch?v=XmSdTa9kaiQ. Although Tennant was not openly gay at this stage, hindsight reveals what that perpetual “sin” was. And what a chorus. Talking Heads and Brian Eno created this most postmodern of tracks. George Michael was the only artist to achieve two year-end Billboard Hot 100 number-one singles in the 1980s. Rank Song Title Song Artist Year Genre; Top songs of the 1980's is updated by the minute by Gigbuilder - The world's most popular Event Management System. Mixing spaghetti western guitar parts, a circular bass solo and lyrics that suggested complete nuclear annihilation, it was one of Blondie’s most experimental and jaw dropping singles. ‘You Made Me Realise’ is a pop song in essence, but around the hooks and riffs it’s a feat in discombobulation that’ll leave you dizzy whether you’ve packed your earplugs or not. Over one of Angus Young’s crunchiest riffs, new screecher Brian Johnson doffs his cap to his predecessor and spits “I’m back in black!” with the gusto it deserves. David Byrne’s genius lyric about melting away in suburbia (and the existential crisis that ensues) was one thing. It floats like a butterfly, hovers like a ghost and really narked Guthrie off because it got so much more radio play than any Cocteaus track. The song that John Peel played after announcing Ian Curtis’s death is unbearably close and brooding, but allows the occasional shaft of light. Released as the lead single from his seminal Purple Rain album and film, the bass-free ‘When Doves Cry’ was a thing of graceful beauty. Can you imagine Christmas without Shane MacGowan slurring away, Kirsty MacColl double-tracking her own vocals and all your mates bellowing in your face that you’re an “old slut on junk“? Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. As hip-hop and techno set the cultural pace at the close of the 80s there weren’t too many thrills going on in rock, a wasteland of post-MTV excess. This playlist was created by Gaana on 12 Jan 2015. Mohammad Alam. One of the greatest songs from one of the greatest albums (‘Daydream Nation’) by one of alternative music’s greatest bands, ‘Teen Age Riot’ is essentially one awesome track split in two: a woozy, otherworldly intro featuring Kim Gordon’s ghostly spoken-word poetry, and then a belting, high-octane guitar riff that ushers in Thurston Moore’s yelped vocal. 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